My first review for Brighton Source at Brighton Theatre Royal. This was the second time I’ve seen this show but this production was far superior to the first incarnation: the difference in the energy of the lead made all the difference. This is only the second time I’ve been in a theatre where everyone – every single member of the audience – spontaneously got to their feet to applaud at the end of the show. And it was worthy of that standing ovation.
Saw this on Monday at Brighton Theatre Royal. Absolutely brilliant. Loved it. Here’s the longer version:
Plus, not forgetting, Patrick Duffy (looks and fails to find gushing heart emojis) who I had a crush on aged about 6 (precocious child) when I saw him on TV in “The Man From Atlantis”. Such a privilege to see him in this on stage.
Loved this piece of theatre. I was so close to giving it 5 stars – if it hadn’t been opening night where they clearly had added tech difficulties, it would have been.
It’s been an amazing journey in support of this fabulous production. I have some really good friends in the cast, among them Phil Nair-Brown playing the Creature, and Sam Razavi playing Victor Frankenstein. These actors are incredible professional actors, super talented, and also super lovely humans. Their scenes together are electric – they positively sizzle.
So if you’ve seen any publicity on Facebook, Twitter or Instagram, that will be my doing. Or press, for example this lovely article across the Worthing Herald Group of newspapers thanks to Phil Hewitt: click here. Or if you see the show and like the programme, thank you very much!
I’ve also been part of creating the lighting for the show, and I will be running lights (and there are a lot of changes) during the show. I don’t expect you to notice necessarily unless you are involved with theatre yourself – it’s there to add ambiance, to improve your theatrical experience – so people usually only notce if it’s wrong or jarring! Which is the same for sound of course. It’s been full on, lighting tech until 1.25 in the morning, then back in the Theatre 2 days later as there seemed to be issues (which it turned out there wasn’t) but changes and tweaks were requested: another 3 hours. It’s all worth it if it looks amazing, and it does.
And working with some brilliant friends while you do all this? Priceless. Absolutely priceless.
Wick Theatre were so kind to nominate me for the 2021 “Outstanding Contribution to the Arts” for which I was awarded a Commendation. It was so gratifying to hear that the calibre of entries had made it very difficult to choose an overall winner, and that the quality was so high, each of the nominees received a Commendation.
It’s amazing to be recognised, very unexpected, and huge thanks to Wick Theatre for their nomination and to Brighton & Hove Arts Council for the Commendation. But – these things are never in isolation, there were loads of other people that committed time and effort and skills to all the projects I’ve been involved in or led on. I couldn’t have done any of it alone, so massive huge thanks to all of those people: Wick Committee, all the people who contributed films to the Wickanory project and to Ghost Stories for Christmas. Special thanks in equal measure to Phil Nair-Brown, film maker extraordinaire, and to Guy Steddon, horror story officianado and curator of the Ghost Stories.
It’s important to celebrate achievements! Here we are:
I continued my Lighting Design training with the brilliant Martin Oakley for Wick Theatre’s Pygmalion in January. It was brilliant to be able to use my maths and logical brain for the computer part, and my artistic brain for the actual lighting design, including creating a wonderful sky colourscape for big scenes set in a conservatory: I loved every bit of it!
I also ran lights during the show and was able to amend and add things that needed it on the fly, during a show, which was amazing.
Plus – never one to shirk a challenge, I did the Deputy Stage Manager: DSM role. At Wick Theatre, and some others I’ve worked with, the DSM runs the show: following the script with a detailed eye and calling all the cues: lights, sound, projections, haze, actors to the stage and anything else that’s going on. This did give me sleepless nights as so much was depending on me but I also loved every second. I benefitted from training from Julian Batstone who has been part of every Wick production since he joined, and is our most experienced DSM. I couldn’t have done it without his support.
It was really cold in the Lighting Box, by the end of the week I had brought in scarves and hats and blankets and so had the very lovely Doffey who was running sound – also for the first time! We had a great time in the box. A lovely friend had just made me fingerless gloves and I wore them throughout!
I also organised the publicity campaign of course! But it was amazing to learn 2 brand new roles in theatre. You’re never too old to learn new things or develop your skillset.
Onwards and upwards! What’s next!
October 2021 I was at last back on stage performing. It was truly brilliant to be back especially with a sell out show which made so many people so very happy!
Not only do I love “Cluedo” having grown up playing the game both in English and in Swedish, but I adore the film “Clue” with Tim Curry: in fact, it’s my all time favourite comedy film. I’ve been quoting Madeline Kahn’s lines as Mrs White since I saw the 1985 film. So I was thrilled to get the part of Mrs White – I had to fight for it though! I was the only actor who had a call back! And I’m so grateful to Director Julian Batstone for trusting me with the role. I was also producing the show, but I would still have been Julian’s production manager even if I hadn’t got the role (although I would have been extremely sad and disappointed!) I also had the opportunity to train as lighting tech with a full 96 channel board and learn from the hugely talented Martin Oakley. It was fantastic.
We were also recognised in the Brighton & Hove Arts Council Awards with 5 nominations and 2 wins: Best Actor went deservedly to Guy Steddon for his incredible performance as Wadsworth the Butler, and we (the cast plus 1 stunt double) won Best Stage Crew for the funny and in character way we moved the set around.
I also had to tango with Guy, which I’m sill not sure he’s forgiven me for… I seriously learned steps for it and everything, and practiced at home in front of a very bemused Andy.
Promotional photos and dress rehearsal photos courtesy Miles Davies Photography.
Link to the Promotional Trailer: click here
Actually saw a couple of shows last week. Both were at the Lantern Theatre and so interesting. The first one – not having been out in ages, I just wanted to enjoy it. The second: “Duty”, was so good, I wanted to write about it.
Written by Bomafabia Wokoma, directed by Laura Rinati, Bomafabia Wokoma and Lenette Randall, and Produced by “A Little Twisted”. Here’s my review on Broadway Baby – enjoy!
Twilight Theatre was due to be bringing you my latest play in the Brighton Fringe. Cast were in place and in rehearsal. I know it’s absolutely necessary that this has happened but I’m still absolutely gutted!
Still, we will be bringing it to you when the Fringe is rescheduled, so all is not lost. In the meantime, stay safe and keep healthy, be sensible and don’t stock pile, and be kind to one another.
Here is my review – it says it all!