Last of the Fringe 2019

To end this year’s Fringe I saw four shows in three days. Yes, three of them were children’s shows and one of those I didn’t even bring Mia to as she was double booked – but I had committed to reviewing it.

We started with a retelling of “Beauty and the Beast” on Friday which was delightful and charming. I wanted to give this 3.5 stars but the star rating won’t give halves. It was really lovely though and Mia loved the beast and having her photo taken with them! Review here.

Friday evening I was at Brighton Little for “The Pride”. I wouldn’t and couldn’t review this being a member of the Little. OH MY GIDDY GOODNESS I can’t even begin to tell you how absolutely brilliant it was. Superb script, beautifully and sensitively directed with perfect understanding of the material, and the acting was incredible. Sometimes BLT produce absolute class, and this was one of these moments. This is NOT a forgettable play, or a forgettable evening. This will stay with me. Wow. If I could have reviewed it I would have given 5 stars.

Saturday, this time without Mia, I saw “Ogg and Ugg and Dogg” about how early humans first connected with wolves and tamed them, thus creating one of our most beloved pets. Sounded great, and it started really well but after about 20 minutes just kind of fizzled out slowly through to the end. I really wished more for it as it had potential. I reviewed this and if you want to find it do search but I won’t put the link.

Sunday, the best at the last: my favourite has to be “This Noisy Isle” which was just brilliant. A fun non patronising children’s show which as a deeper message. More of these please! Mia absolutely loved it and so did Andy and I. Read my review here.

Intense week of Brighton Fringe

Last week was filled with mostly incredible Theatre.

I absolutely loved “Those Magnificent Men” – 4 stars

Roared with laughter at “Frankenstein the Pantomime” – 4 stars

And was absolutely stunned by “A Steady Rain” – 5 stars

I also saw another play which I thought was awful, the publicity was misleading yet I really do admire the director who I think did a decent job with the awful script and an actor who failed to connect with the material, at least at the performance I saw. This is of course perhaps controversial because there were two in the audience who it obviously resonated with as they were sobbing; however some were yawning and looking at their watches. What I wanted to write in the review but couldn’t was that it was all terribly up it’s own arse.

Then there was “Hysteria” at New Venture Theatre (NVT) which was an interesting script of absolute darkness and details of child abuse juxtaposed with farce. It wasn’t my favourite script as I don’t think you can mix those two successfully in theatre, but if anyone was going to make the show a poignant and enjoyable event it was director Bob Ryder and lead actor Dan Dryer. And yes, they are friends of mine and I feel honoured that they are, but this is my honest opinion of the calibre of their skills: if I did not believe what I’m writing I simply wouldn’t write anything.

NVT always provides a quality detailed set, lighting and sound and it’s always a pleasure to go there. The direction and all the actors were superb. Huge well done to everyone involved.

I also went to see “Damien” the week before – a one man show about the true story of the minister of Molokai the Leper Colony, which might sound like a dire thing to watch but it was the most extraordinary theatre, an emotional roller coaster including humour and heartbreak. Absolutely superbly acted by Daniel Finley and directed by Janette Eddisford. Clearly I could not review this show officially as I trained at ACT (Academy of Creative Training) with those two incredibly talented awe inspiring people! But Fringe Review and Fringe Guru agree with me: 5 stars, ‘Must See Show’. I urge you if you have time, catch this if you can.

This coming week is a little less full of theatre due to other commitments and half term… but how we love Brighton Fringe, oh yes, how we love it.

Missing Macbeth

I’ve just updated the acting and directing tab with Macbeth, and it reminded me how much I miss working on this play. It was an utter joy from beginning to end. The most expressive, professional, flexible and fun group of actors and a magnificent show that blew the audience away.

Jacqueline Harper as Lady Macbeth and Guy Steddon as Macbeth

Here you go. Photos, promo videos, reviews and audience feedback. Feast. https://www.susannecrosby.com/acting-directing-singing-more/n

Brighton Fringe Update

This week was an interesting mix of Theatre.

Wednesday “The Death of Ivan Ilyich at the Rialto in Brighton. A profoundly moving piece of Theatre experienced on so many levels. There is a surprising amount of humour as well as a brilliant look at the taboo of talking about death and trying to carry on as ‘normal’. Why you need to watch this: Kevin Cherry’s amazing performance in the title role, as audience members you feel his pain, and the picture of his reaction when he sees himself in the mirror is poignantly haunting.

Friday “9 to 5 – the Musical” at the Barn Theatre. If you love the movie then without a doubt you would enjoy this. The audience were whooping and cheering at the end. Not the slickest production in the world and some issues with timing, tech and some numbers seeming under-rehearsed – but, the professional performance of Lea Spells as Doralee, the part played by Dolly in the 1980 film, raises the quality of the whole show. Shoreham Herald review says “she is as punchy and strong as the energetic star”.

Saturday “Damien” at the Lantern Theatre in Brighton. I was literally speechless after watching this emotional and beautiful performance by Daniel Finley of a remarkable true story. Absolutely well deserved 5 star reviews. I can’t recommend this highly enough, and Fringe Review “Must See Show” this year, calling it a masterclass in making quality Fringe Theatre. I could not agree more.

New Artwork

It’s been a while. I’ve just updated the Art tab with the artwork I made in 2018. It was fun to get into using pastels, my usual preferred method is painting acrylic on canvas but it’s good to try new things.

Acrylic on paper, inspired by a scene in Sweden
Pastels on paper, inspired by a photo taken by a friend in Scotland
Brighton sunrise, acrylic on paper, inspired by a photo taken by a friend

Meeting An Acting Hero Day

Today I met one of my acting heroes. I’m very grateful to Helen for stopping me motoring through and asking if I wanted a photo – because I hadn’t noticed at all, on a mission, places to go. “Photo?” Yes, yes, Mike McShane, standing talking to some friends. MIKE McSHANE. I’ve been a fan since “Who’s Line is it Anyway?” and then the double act show he did following that, and of course, of course, one of my favourite films of all time: “Robin Hood, Prince of Thieves”. I bloody loved him in that, recognised him instantly, am pleased I kept my cool at least a little and didn’t fan quote all the lines in that movie to him. But I did get my pic with him. And what a totally lovely guy, talked with us for quite some time. And I managed not to gush. I think. I did cry though. After I was out of his sight line!

Context – Helen and I watched the play “Brexit” written by Robert Khan and Tom Salinsky starring Mike McShane and other acting legends – which was seriously the best observed political play I’ve ever seen. It wasn’t even an allegory, it was written for now, with acutely witnessed political machinations and the madness of Brexit politics – as well as politics in general, which in this was all about staying in power and winning approval, rather than choosing the right policy. It was incredibly funny, although so true in hindsight it’s likely to cause as many tears of futility and sadness as well as joy. One of the best things I’ve seen on stage. I don’t just mean in this Fringe, I mean ever. Not just because Mike McShane was in it. A little bit. But not the main reason.

When we came out there were a pile of people exit flyering – thrusting different flyers into hands, when I heard someone saying something about being interested in God. This made me look up and there in Tudor dress was one of my acting teachers – Jules, fabulous voice teacher! I had not expected to see anyone I knew and all 3 of us ended up chatting for a while. Helen and I are going to see the play she is in tomorrow.

Just the five shows today. Again. I’m clearly a five-shows-a-day kinda gal. I’ve been a dirty stop out since 10 this morning. I saw Alan Bennett’s “Say Something Happened” which is a joy to watch, and so layered that it stays with you and comes back at you in layers when you’re thinking about something else. An amateur production but still really enjoyable. After that I found a cafe called “Spoon” which was almost a little piece of Brighton in the heart of Edinburgh. It seriously felt like Brighton. Artisan toast. Portobello mushroom and goats cheese with sourdough toast and pea shoots. You can’t really get more Brighton than that! And real tea – I mean REAL tea, with a tea strainer. Mismatching teapot with the cup and saucer. Ahhhhh I felt a little homesick.

After Brexit I ran up almost to the Castle to see the next show for me to review: James Dean is Dead, Long Live James Dean. Wow what a show. What a performance. He also looked so like James Franco I did a serious double take. Wowsers.

This was right at the top of the Royal Mile – where most of the insanity seems to be concentrated, perhaps. And I saw the strangest sight. In this city, that’s saying something.

This guy was hovering off the ground. I walked around and around him and he was floating. I could NOT see how he was doing this. Honestly I have no clue. I thought maybe it was him holding on to his stationery counterpart but no, his arm was resting. The rest of him was not touching anything. Seriously, I walked all around him. Then I shook my head, took a picture, and walked on. BONKERS.

As I came out of the James Dean show I heard singing, and it was the way I was going, so I looked – and these guys stopped traffic. Singing Mamma Mia. About 50 of them. Tons of onlookers. Again, seriously, they stopped traffic. Cars were beeping to get past. Walking on, 30 seconds later and of course there were people from Star Wars. I mean, what else?

This was about tea time so I searched for somewhere which satisfied my criteria: 1. quirky 2. not too expensive 3. nice food 4. most important: wifi. As I had reviews to submit with a deadline approaching.

I found a cafe off the mile: St Giles, which was high ceilinged and bare floored with cafe tables and quite disinterested staff. Quirky not too expensive food, including a cream cheese, walnut and honey bagel which was just delicious and I will have to remember to make at home! So there I sat, freaking out the customers either side of me – simply by being a woman on her own in a reasonably visible eating establishment with a laptop in front of her, content with her own company. (Yes. Sometimes this freaks people out. No really, it does.) When I spoke to Andy via facetime at home and talked with Mia who looked so happy and tired and it made my day, but I made the mistake of swearing (it just tumbled out) about how good the James Dean play was the Americans on the table to my left visibly bristled and huffed and puffed their disapproval for the remainder of their time there. Honestly, I’m clearly too much, I need to get back into my box and realise what’s important in the world, which is that women shouldn’t swear, and if they do it’s a heinous crime, punishable by social ostracisation and disapproval; and that the things that I believe are important and require disapproval and above all action, such as child poverty, starvation and homelessness – these are of course not important at all, that it’s all about the odd slip of the F word in a passionate statement said in a public place due to that requires me to be publicly flogged.

Ahem.

So I stayed there writing for quite some time and gradually realised that I felt like I had been transported to France. It was the most French place I’ve seen outside of France. I can’t believe I didn’t notice when I first went in. If it hadn’t been for the specials blackboard announcing the “whisky of the day” I would have really believed I was in France. With Edith Piaf singing out “Non, rien de rien…” (I am not making this up) if you’d told me I was actually in France I would have believed you.

Then onto Antling. Ah Helen’s wonderful creation still makes me laugh and I can’t count the number of times I’ve seen it. Had a big Adam Ant fan in this evening, who said his wife was an even bigger Adam Ant fan – I offered him to live stream it to her on his phone but I think he thought I was joking. Helen was particularly awesome this evening.

We then went to Bristo Square which I’d not seen after sun down and the lights made it look even prettier. While we sat and had a chat and wind down, we were flyered – by a New Zealand comedienne with her show “Ladylike”, starting shortly, so we went to see it. Just what we needed. Not highbrow, just funny. Watching her make “chicken liver pate” with cocktail sausages in order to impress the neighbours but keep costs down was really quite hilarious. She did manage to hit a few nails on heads about the impossible standards of having to be a woman.

Tired and happy.

And hey, I met Mike McShane.

Just in case you missed that bit.

 

Directing, Writing, Acting

What a couple of weeks!

We are mid way through the run for my play “The Session” with Twilight Theatre. Audiences have loved it and given brilliant feedback.

   

Audience feedback so far:

“Loved it!”

“fantastic… so much so that I’m going again tonight”

“Great play”

“Loved it, very tense… wonderful writing”

“fab night”

“Excellent”

“What an amazing, fantastic performance! A brilliantly written script and a very very talented cast. The venue really lends itself to this play and you are completely drawn in to everything happening on the stage. This is an absolute Must-See for everyone, I guarantee you will be glad you did.”

“I watched this little gem last night. It gets the old grey matter thinking. One not to miss. Written by the amazing Suse Crosby”

James Roy, from Meridian FM: “Wow. Cleverly written, brilliantly performed. “The Session” at the lovely intimate Sweet Dukebox Theatre. Get fully immersed in the action whilst trying to work out who is the Doctor and who is the Patient!”

Still some tickets left – do come along!

Antling

And just before “The Session” opened, “Antling” written and performed by the amazing Helen Pepper Smith and directed by yours truly premiered, also as part of Hove Grown Festival.

   

Don’t worry if you missed it – this fabulous show will be back in the Brighton Fringe Festival, and in the Edinburgh Fringe too!

Disappeared

And if that wasn’t enough – next week I’ll be performing in the Wick Theatre‘s production of “Disappeared”. This has a fabulous cast and a great crew, led by director Guy Steddon.

The character I play has been challenging, because she’s really not very nice at all. When I saw myself in the publicity photos I was astonished I could look so – well – vile! Still some tickets left, runs 4 – 7 April.

See you soon, Suse

Casting Call for “The Session”

Casting Call

for

The Session

written and directed by Susanne Crosby

Two people in a locked room with one chair.

One doctor, one patient – or are they? And who is who?

Part thriller, part humour: they try to unravel what’s going on. Each tries to gain the upper hand through banter and even bickering, as if they are married.

Sometimes witty; sometimes poignant; always surprising.

Cast:

Looking for solid character actors, one man one woman, to play the two leads characters Emma and Tom. Some physicality required in performance.

Looking for pragmatic and flexible actors to be part of creating these roles in an intimate theatre space.

This is a great opportunity to be part of creating unique theatre.

Further information:

Playing age: 25-45.

The play is one act and is 50 minutes long.

This is an equal profit share opportunity.

Details of the Audition:

Please prepare a minimum 1 minute maximum 2 minutes modern off-book monologue which gives an idea of your emotional range.

You may also be asked to read a section of the script with others. You are not required to be off book for this. This will be given at the audition, however, if you would prefer to read it in advance of the audition please contact below.

Audition date:

Thursday 1st February, 7.45 pm

Sweet Dukebox Theatre, The Southern Belle (formerly the Iron Duke), 3 Waterloo Street, Hove BN3 1AQ

Rehearsals: will begin the following week, to be agreed with cast, some flexibility will be required.

Show:

Thursday 29th, Friday 30th, Saturday 31st March, Sunday 1st April: 8.00 – 9.00 pm.

at Sweet Dukebox, Hove.

Part of Hove Grown Festival.

If you have read all of the above and have any queries, please contact: enquiries@twilight-theatre.co.uk

Otherwise, we look forward to seeing you at the audition!