It’s been an amazing journey in support of this fabulous production. I have some really good friends in the cast, among them Phil Nair-Brown playing the Creature, and Sam Razavi playing Victor Frankenstein. These actors are incredible professional actors, super talented, and also super lovely humans. Their scenes together are electric – they positively sizzle.
So if you’ve seen any publicity on Facebook, Twitter or Instagram, that will be my doing. Or press, for example this lovely article across the Worthing Herald Group of newspapers thanks to Phil Hewitt: click here. Or if you see the show and like the programme, thank you very much!
I’ve also been part of creating the lighting for the show, and I will be running lights (and there are a lot of changes) during the show. I don’t expect you to notice necessarily unless you are involved with theatre yourself – it’s there to add ambiance, to improve your theatrical experience – so people usually only notce if it’s wrong or jarring! Which is the same for sound of course. It’s been full on, lighting tech until 1.25 in the morning, then back in the Theatre 2 days later as there seemed to be issues (which it turned out there wasn’t) but changes and tweaks were requested: another 3 hours. It’s all worth it if it looks amazing, and it does.
And working with some brilliant friends while you do all this? Priceless. Absolutely priceless.
Since last Summer I’ve been involved in all manner of Theatre shenanigans, including winning the Publicity Award from Brighton and Hove Arts Council for the publicity for “Taking Sides”, produced in October by Wick Theatre at the Barn Theatre, Southwick, nr Brighton – which I am seriously proud of.
In January, I directed the wonderfully eerie “The Exorcism” by Don Taylor, from TV’s Dead of Night, also at the Barn Theatre for the Wick. That was an amazing production and the reviews were astonishingly good. My cast were fantastic, the set was incredible, the special effects made the audience jump – and we had real Christmas dinner cooked fresh every night by one of the cast members!
Shoreham Herald Review – click here. There is also a review from NODA – the National Organisation for the Dramatic Arts, on the theatre page as a PDF file.
I’m now busy planning a new production of one of my plays in the Brighton Fringe in May with Twilight Theatre… busy busy…
Hubby Andy wished me good luck being a “God bothering nut job” for my role in Alan Ayckbourn’s “Neighbourhood Watch”, produced by Wick Theatre at the Barn last week. That made me smile. A lot.
It really was great fun rehearsing for this quite bonkers play and John Garland was a fabulous director. Of course that doesn’t mean it was plain sailing, it never is, there are always tense moments towards the end of the rehearsal process but there were some evenings where I was literally crying with laughter. There was even one evening where I had to stop myself laughing on stage. There were pieces in this which were hilarious from the word go and still funny three months later.
I think my character: Hilda Massie, is possibly the most far removed from my own personality that I’ve ever played. It was hugely educational getting under the skin of a type of person I have never understood – those that don’t value honesty, but think it’s rude. They have such a skewed view of the world and themselves that they are seriously deluded, but would vehemently deny this to the end. I’ve previously found this incomprehensible but I had an “aha!” moment during my character preparations and research that really helped me understand. Fascinating. And very sad. There was seriously only one thing we have in common – we both value arnica. And yes, it comes up more than once in the play!
So in short – farewell Hilda, you bonkers manipulative right wing evangelical nut job, I’m re-embracing myself. Acting tab is updated with our brilliant reviews from NODA, Brighton Argus and Shoreham Herald; plus show photos. It’s always so important to receive feedback and so lovely when it’s positive!
I’ve just updated the acting and directing tab with Macbeth, and it reminded me how much I miss working on this play. It was an utter joy from beginning to end. The most expressive, professional, flexible and fun group of actors and a magnificent show that blew the audience away.
We are mid way through the run for my play “The Session” with Twilight Theatre. Audiences have loved it and given brilliant feedback.
Audience feedback so far:
“fantastic… so much so that I’m going again tonight”
“Loved it, very tense… wonderful writing”
“What an amazing, fantastic performance! A brilliantly written script and a very very talented cast. The venue really lends itself to this play and you are completely drawn in to everything happening on the stage. This is an absolute Must-See for everyone, I guarantee you will be glad you did.”
“I watched this little gem last night. It gets the old grey matter thinking. One not to miss. Written by the amazing Suse Crosby”
James Roy, from Meridian FM: “Wow. Cleverly written, brilliantly performed. “The Session” at the lovely intimate Sweet Dukebox Theatre. Get fully immersed in the action whilst trying to work out who is the Doctor and who is the Patient!”
Still some tickets left – do come along!
And just before “The Session” opened, “Antling” written and performed by the amazing Helen Pepper Smith and directed by yours truly premiered, also as part of Hove Grown Festival.
Don’t worry if you missed it – this fabulous show will be back in the Brighton Fringe Festival, and in the Edinburgh Fringe too!
And if that wasn’t enough – next week I’ll be performing in the Wick Theatre‘s production of “Disappeared”. This has a fabulous cast and a great crew, led by director Guy Steddon.
The character I play has been challenging, because she’s really not very nice at all. When I saw myself in the publicity photos I was astonished I could look so – well – vile! Still some tickets left, runs 4 – 7 April.